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I want to know the anime production process in Krista

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道野かれは

It is an amateur.
It is saved when there is "animation production example".

What I care now is to know the process of using vector layer / raster layer at the same time.
"Vector layer" ➡ good at drawing
'Raster layer' ➡ good color

I understand somehow ... but,
In making animation, "Line drawing is a vector layer?" "If so, how do you color from the line drawing of the vector layer?" "Do you convert to a raster layer?"

After all, although it is a fundamental part, using Crysta
"If I am drawing animation in this way," "In the actual site (although division of labor) it is turning in such a process"
I would appreciate it if you could give me an example.

Sorry it's vague.

Published date : 6 years ago

Updated date : 6 years ago

Japanese

Answer

けも ◆

6 years ago
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For the time being, "Example model"
Celsis has "How to use animation function"
I will fly to YOUTUBE
https://www.youtube.com/watch?v=pyiLOCrd8iw&list=PLdrDlkpfTuBUyCkS5faAOQ0glJ0LmEsnP
(7) (9) (11) I think that it will be a reference for what you want to know
(9) I will clean up the rough with the curve tool in the form of a clinup but this is not necessary
after that
(14) Paintman will appear in
(15) introduces work space for animation
Please also look at others Work process of animation is introduced

(14) (9) (10) I think that there is no problem
If only with CLIP STUDIO PAINT
(9) does not use red and blue "temporary colors"
I will work with the color of the actual character
Please work with color shade and highlight color for color tress
The shadow of color painting in (11), too, the fewer the mistake as you paint from highlight

Using the vector layer exerts its power when eraser is applied
You do not have to erase other lines when writing a small part
It is only a minimal amount of correction required when adding lines after erasing
If it says "Do not use an eraser", there is no problem with a raster layer

I think that it is the same as the process of drawing illustrations ordinarily except for problems of efficiency in work

"Line drawing is a vector layer"
At the commercial animation site, I will make as many trresses as "Treasure, Highlights"
As it is also in the movie I will work with a temporary color so it seems to add layers of layers from 4 as well
No matter how much you increase the layer of color torres
Although it becomes two lines of the main line and color treses when exporting to the paint man
I do not convert this multiple vector layers while leaving
We prepare a raster layer for shadow filling at the bottom
I will only paint shadows and highlights there

If you are going to produce it independently, decide the color of the normal and the color of the shadow at this stage
We recommend that you work with that color
That is to work without using a paintman That means CLIP will do everything

I will write it if there is something else
I will explain it if it is simple, so please listen to the unknown part
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Not applicable

6 years ago
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Does the item on "Edit Menu" in explanation on YouTube in explanation of Kemo use the new version released tomorrow?
The menu "Edit> Register layer as template material" does not seem to exist before current 1.6.8.
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けも ◆

6 years ago
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This movie itself is 1.5 test version (I do not know the official name)
The movie itself existed from the front, but at that time it was a long version that was not edited and sound edited
"Register as template material"
It is the "template" that you can choose from "Edit Material" on the Edit menu

I forgot completely whether the new version is tomorrow Thank you
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6 years ago
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No, the problem is "Layers ...".
Although you can understand the "template" you can choose from "material registration", the current file is the entire file, not the layer.
Of course, the layout paper image will be loaded every time, which makes inconvenience or a stupid thing.
I mean, I think that explanation of the animation production process of Asahi Production is not suitable for amateurs.
I think that Celsis who recommends it is also not well understood.
- Japanese
けも ◆

6 years ago
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I do not know where cg8o8 does not understand
What is the target of the entire file
Layout form is loaded every time
If you do not need it, you do not have to load it already when you create a template
I think this movie has a dark color for companies that used lettuce
As you think of cg 8 o 8, if you want to make animation with CLIP and you see this, you disillusionment
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6 years ago
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Yes. In case of only the first A cell (animation folder), you can pull the template out,
If you want to create a B cell additionally, simply add the button will not be like a cell structure (Animation Folder) like a layer structure.
So, it seems to be possible to use the template, but it is a story that it is troublesome because I registered extra items called "layout paper".
As you can see, it is better to create a separate template for each cell (animation folder), but there is no such explanation.
- Japanese
けも ◆

6 years ago
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Sorry for cg8o8
First, register as "template" in "material registration"
next
When you are a new canvas of animation, check "Cut template"
Select the template you created
that's all
The layout is displayed as a layout
Layers configured as cell folders are contained in animation folders
When adding a cell, a cell folder with the same configuration will be added
If only cell configuration is enough
Only "cell folder and layer" without "layout and animation folder" is registered as "template"
With a new canvas
Choose with 'cell template' instead of cutting template
How about that

I do not get the first number on the timeline, is it a problem?
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けも ◆

6 years ago
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1.6.7 (because it is mac) I have not tried it
It is a template when creating a new canvas
I think that "cutting template" and "template for cell" could not be used at the same time
Even if it is put in two, it recognizes only one side
I would like to register a layout on one side and a cell on the other side, but it is only one
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6 years ago
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I do not know what it means to the questioner I will stop sending out.
Celsis wants us to make a moderate introductory animation course for amateurs.
- Japanese
けも ◆

6 years ago
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↑ Mr. Todo Hello, I was upset
↑ If you can click on your icon
Anime PNG made with CLIP STUDIO PAINT and CLIP STUDIO ACTION alone can be seen
Because I am changing it occasionally, I do not always animate
I think that it can be made with enjoyment if it is an experimental one
I support you!
- Japanese
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6 years ago
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take heart…. 【Long Term Note】

It seems that the image that appears on YouTube by Mr. Asuma Productions' introduction was created with a considerably old version.
As you know somewhat, for each production of commercial animation detailed production circumstances different
There is no saying that this is the right way to make it. (From now on) Only useful parts are managed.

So, young animators of the production seem to have started thinking "I think vector drawing is good?"
Depending on how you use this "vector drawing", it is very effective for "animation" of drawing,
There are cases where you can not expect much effect for "layout (Rough original)" or rough "original picture".

This "effect"
Basically, raster drawing is not the number of lines, the weight of the file is determined by the size (area) of the prepared screen.
Vector drawing is supposed to change the weight of the file by the number of lines regardless of the size of the area.
"Beautiful single line" like "movie" is suitable for vector drawing,
To the extreme, "I do not know what will happen if I draw it", so I do not know how many lines will be drawn.

The vector function developed by Celsis is very good and "Records intersections automatically when lines and lines intersect".
Even if the user wishes to divide lines, we can cope, but there is a trap.
For example, when drawing "ki" in katakana, only three lines are drawn, but internally it consists of seven lines.
When drawing a "rough picture" with a vector, it can become a "heavy file that does not fly" while the person who drew it is unaware of it.
Of course, there is no problem at all if it is "a rough rough picture".
Even if you fill in the screen as part of vector drawing, even if you draw the line, if the lines were organized at the stage of preservation, it is still a good translation.

The point is that any layer can be used if you understand the quality.
(Since this information is old-fashioned information, it may be improved now and there is no need to worry but I think that the basic does not change)

With CLIP STUDIO PAINT, the possibility of animation drawing became required "richness of line type".
It made it possible to express "on paper" ... (line type with drawbacks that take time to draw)
When drawing a rough picture on the vector layer with that line type, I think that it is "I did not do it" unless it is a PC with high specifications.

My conclusion, part 1
Animation drawing does not make much sense even if it sticks to the kind of line of picture that changes one after another and changes one after another.
Although the sticking line is respected, it is binarized in the finishing process and it is almost unlikely to be important so much.
If you really want to stick to it, draw the work with a light tool such as a G pen and respond later with "line replacement".

The difference between professional and amateur animation production process
The difference is whether each is professional or not, the contents are the same, but amateurs are responsible for all the processes alone in some cases.
To explain the whole process without fail, enormous energy and time are required.
Actually it is not something that can be explained here. (It is best to have you go to a vocational school)

However, as I explained so far, it 's only an easy thing ....

My conclusion, part 2
With CLIP STUDIO PAINT alone animation production can not be completed.
Colors and backgrounds can be created, but sound and shooting (composite) must use different software.
(We do not mention here about various kinds of software)

From here on down is "I still want to make animation with CLIP STUDIO PAINT".
Because it seems to be just interesting ... I guess it probably will not last, so please stop reading.
(There are overlapping parts in the above explanation)

◆ Remember common anime terms.
I can not talk if I want to ask a question but I do not know what to say with words.
Please be able to ask questions by unknown words in anime terms somewhat by yourself and ask questions with "common language".

◆ How to make efficient animation. (Explain based on commercial basis)
Prepare a synopsis that decided "What anime will you make?"
It is a good translation that time restrictions are decided if there is "picture story" in the industry if possible.
I think that it can be simply a short storyboard like "four-frame cartoon".
(The storyboard is an extremely efficient item)

◆ Concept of cut.
Normal animation works are made up of a collection of cuts. There is also an element of directing intention
Short cutting makes it easier to grasp the progress of work and improve work efficiency.
Pictures are required in units of seconds and frames. (1 second = 24 frames, but there is almost no need to draw in full)

◆ Configuration of cut.
In the case of amateurs, in particular, I think that it is not necessary to divide the process such as "layout, original picture, movie, coloring, background".
(Color can be painted even if the line of the animation is not beautiful)
Although it may be suddenly a movie, in the case of commercial base, the meaning of the original picture is "planning of movement"
As the work requires confirmation by the flow intervening by others, we divide each process.

◆◆ From here on the explanation of concrete operation
◆ In CLIP STUDIO PAINT, select "Animation" by creating a new one.
If we decide only the screen (standard) size, we can not meet the requirement, the time axis (the number of seconds of cut)
You can increase the "cell" necessary for dividing the motion of the picture in the process.
(Although the concept of "cell" = "frame" = "frame" = "frame" is the concept, "layer" and "folder" may have the same meaning)
Detailed explanation about the resolution of "standard cut" created here will be used again.

In the latest version, the file name will be "animation", but it would be better to make it "work name _c000".
("Work title _c000" will be the save name including the meaning of the cut number.)
For the item of the reference size, please use "1920 x 1080 (192 dpi) margin present" in the preset.
(If you want to have no margins, set all of the margin items to "0")
"Direction frame" "drawing size" in the item on the left side
Items on the "Work information" "Timeline" "Template" on the right can be ignored as they can be additionally changed later.

◆ In the meantime, a raster layer named "1" is created in the layer "animation folder" on the "Layers" palette.
(A substitute that a user must make a layer structure that is easy to work from here, not to say that animation drawing can be performed using each layer immediately as "STYLOS" of the predecessor)
Once you create the layer structure, save it as a basic file and use it.

◆ Minimum layer structure (explanation is cool and fun)
With the raster layer named "1" created initially selected, click the "Create New Layer Folder" button.
Since the folder named "2" is created under "Animation Folder", change the name "2" to "1".

With the folder layer "1" selected, click the "Create New Vector Layer" button.
Since a layer named "layer 1" is created in the folder layer "1", we change it to the name "line drawing".
Place the raster layer named "1" that was on the top of the folder layer named "1". (It goes under the "line drawing" layer inside)
Change the name of the raster layer "1" to "Fill".
Change the name "Animation Folder" at the top to "A".

This is the completion of the minimum layer structure.
I will save it for the time being.
(In Windows, if you change the attribute from "file properties" to "read only", you will not accidentally overwrite it)

◆ Characteristics of layer
If you draw with tools that can be used in the vector layer, whatever the shape, whatever the color it is treated as a vector.
You can use the raster layer as a lower drawing drawing, or as a shadow designation or filling instruction. If necessary, add it in that folder.
(There are also vector layers dedicated to black lines and red lines)

The numbered folder layer is treated as "cell".

◆ Timeline
On the "Timeline" palette, the "A" layer which was the former "animation folder" is displayed on the horizontal axis and the number should be "1".

If you click the "New animation cell" button somewhere on the horizontal axis on the timeline, "cell" named "2" will be created.
The same layer structure as "1" is created. (It might be a great place of CLIP STUDIO PAINT)

◆ Coloring with a raster layer?
Since it is said to be "refer to another layer" in relation to the fill tool, if it is set to "layer in the folder" in the item of "multiple reference", the color gets wet appropriately.

◆ If you lay the layer directly above the paper layer, you can treat it as a background layer to be left out regardless of the timeline.

After that, it is repetition of similar work of animation drawing. (Draw and check, draw and repeat confirmation)

Once you have made a series of drawings, check the motion by playing the timeline.
If you do not like the timing, move the number on the timeline sideways.
In TV animation, "three-frame shooting" which replaces cells every 3 frames is often used.
If you want to show fast movement, also use "2 frame shooting" "1 frame shot".

Even if I can be satisfied I will preserve another name once. ("Work name _ c 001" or the like)

Please train us by exploring little by little.
If there is something you do not understand please calmly ask questions so that the meanings can be communicated.
Someone will answer.

My conclusion, part 3
"Do not be afraid of failure, fail, or you will improve if you fail."
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